Kamis, 25 Februari 2010

[J438.Ebook] Ebook R&D is War- and I've Got the Scars to Prove it, by Clifford Spiro

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Do you work in R&D, or sponsor R&D? This book is for you. "R&D is War" consists of ~25 vignettes--- actual R&D war stories from Cliff Spiro's 40 year career developing and leading new products to the marketplace. You will see the human and business side of R&D and gain valuable lessons along the way. The book does not require an understanding of science and technology; Spiro explains complex technologies in a way that anybody can easily understand and grasp the key concepts.

  • Sales Rank: #1160952 in eBooks
  • Published on: 2012-12-30
  • Released on: 2012-12-30
  • Format: Kindle eBook

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3 of 3 people found the following review helpful.
R&D is War - and the weak need not apply
By Jane C
This book documents, with humble distillation, the many thrills and spills of scientific discovery and application. Innovation is the key to economic survival and is the only real competitive advantage. Many personalities vie for control of corporate sponsorship and funding so these critical programs require not only heavy brain power but masterful political maneuvering to make into reality.
Dr. Spiro relays through his compelling experiences key lessons and takeaways for people working at every level in the corporate world as well as any lay person who wants to learn more about how things do (and do not) make it into our everyday lives as products. Highly recommended!

2 of 2 people found the following review helpful.
Into the R&D Battle!
By Anthonie V A Lombard
Spiro darts across the industrial R&D minefield, between exploding light bulbs, indestructible and toxic wastes and stealth airplanes, armed to the teeth with weapons loaded with pathos and humor, withstanding fire from friend and foe alike. Pugnacious, witty and indeed showcasing, in the spirit of Carlyle and Edison, a transcendent capacity for taking (and making) trouble. Read this book if you are in or would like to be in an industrial R&D career, study it if you would like to profit from the work of Spiro and his army.

2 of 2 people found the following review helpful.
Right out of the trenches!
By Francois Batllo
Insightful, genuine and funny, Cliff Spiro brings together a series of vignettes to make it through the minefield of corporate R&D (almost) unscathed from his rich corporate R&D experience. The path can be tortuous and unexpected. I highly recommend this book to engineers, scientists, manager, executives of all ages who either need vindication, guidance or just a good dose of reality.

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Senin, 22 Februari 2010

[O486.Ebook] PDF Download Pediatric otolaryngology, by Charles D. and Stool, Sylvan E. and Scheetz, Mary D. (Eds. ) Bluestone

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Pediatric otolaryngology, by Charles D. and Stool, Sylvan E. and Scheetz, Mary D. (Eds. ) Bluestone

  • Sales Rank: #7947170 in Books
  • Published on: 1990
  • Binding: Hardcover

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Minggu, 21 Februari 2010

[D175.Ebook] Download PDF Cynicism From Diogenes To Dilbert, by Ian Cutler

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Cynicism From Diogenes To Dilbert, by Ian Cutler

Cynicism began as a school of philosophy that was largely inspired by Socrates and often decried by popular commentators as a social pathology, a nihilistic rebellion against the foundations of civilization. Modern definitions of the cynic describe an individual who is negative and sarcastic, violently opposed to established authority and social convention, and dedicated to existentialism. This book attempts to vindicate cynicism, arguing that it is both a progressive approach to social dilemmas and an enlightened understanding of the human condition. Chapter One establishes the foundations of classical Greek cynicism, while later chapters illustrate the varied faces of the cynic phenomenon in the persons of such disparate characters as Machiavelli, Nietzsche, Diogenes, the Dadaists, George Bataille, Samuel Beckett, Auberon Waugh, the creators of South Park, and others. Nietzsche is portrayed as the most important representative of both classical and postmodern cynicism, as well as the pivotal link between the two. The book focuses on significant periods of historical change, such as the Renaissance, and the historical cynics responsible for several seminal social ideas, including cosmopolitanism (citizenship of the world), asceticism (personal growth through self-testing), and parrhesia (finding one’s voice in the presence of tyrannical forces). The! author claims that aspects of Greek cynicism are present in contemporary society, offering a positive strategy for living in a hostile world.

  • Sales Rank: #2627510 in Books
  • Brand: Brand: McFarland Company
  • Published on: 2005-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .60" w x 6.12" l, .72 pounds
  • Binding: Paperback
  • 235 pages
Features
  • Used Book in Good Condition

About the Author
Ian Cutler is operational manager of mental health and learning disability services in the city of Cardiff, Wales.

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22 of 24 people found the following review helpful.
Cynicism resurrected
By Luis E. Navia
Ian Cutler has written an impressive and compelling book on the development of Cynicism from classical times to our own time. The book is simply extraordinary from the point of view of scholarship and because of its argument, namely, the Cynicism, the philosophical stance of Diogenes of Sinope, is the most relevant philosophy for the twenty-first century, a thesis with which I am in full agreement. I congratulate the author of his important philosophical and sociological contribution, and I urge prospective readers to plunge themselves into the pages of this book. They will surely learn a great deal and enjoy Cutler's persuasive prose.

L. E. Navia

Professor of Philosophy

New York Institute of Technology

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Sabtu, 20 Februari 2010

[N846.Ebook] Free PDF My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare Book and Manuscript Library

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My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare Book and Manuscript Library

There are few couples in the history of 20th-century American art and culture more prominent than Georgia O'Keeffe (1887–1986) and Alfred Stieglitz (1864–1946). Between 1915, when they first began to write to each other, and 1946, when Stieglitz died, O'Keeffe and Stieglitz exchanged over 5,000 letters (more than 25,000 pages) that describe their daily lives in profoundly rich detail. This long-awaited volume features some 650 letters, carefully selected and annotated by leading photography scholar Sarah Greenough.

In O'Keeffe's sparse and vibrant style and Stieglitz's fervent and lyrical manner, the letters describe how they met and fell in love in the 1910s; how they carved out a life together in the 1920s; how their relationship nearly collapsed during the early years of the Depression; and how it was reconstructed in the late 1930s and early 1940s. At the same time, the correspondence reveals the creative evolution of their art and ideas; their friendships with many of the most influential figures in early American modernism (Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, and Paul Strand, to name a few); and their relationships and conversations with an exceptionally wide range of key figures in American and European art and culture (including Duncan Phillips, Diego Rivera, D. H. Lawrence, Frank Lloyd Wright, and Marcel Duchamp). Furthermore, their often poignant prose reveals insights into the impact of larger cultural forces—World Wars I and II; the booming economy of the 1920s; and the Depression of the 1930s—on two articulate, creative individuals.

  • Sales Rank: #315333 in Books
  • Published on: 2011-06-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.09" h x 2.40" w x 7.84" l, 4.35 pounds
  • Binding: Hardcover
  • 832 pages

Review
“A definitive, scholarly landmark.”—Library Journal (Library Journal)

“Greenough…provides passages of text to complete the narrative of the couple’s relationship and also to provide insights and analysis.” —Los Angeles Review of Books (Los Angeles Review of Books)

“A love story pitched at the highest romantic level.”—New York Times Book Review (New York Times Book Review)

"At a time when an ordinary novel might cost $25 or more, you can acquire for just under $40 the intimate correspondence between two of the most important and influential American artists of all time: the great photographer Alfred Stieglitz (1864-1946) and the arguably even greater painter Georgia O'Keeffe (1887-1986)."—Michael Dirda, The Washington Post (Michael Dirda The Washington Post)

"Senior curator and head of the department of photographs at the National Gallery of Art in Washington, D.C., Greenough is a leading Stieglitz scholar. She was told by O'Keeffe in 1981 to make the book 'beautiful' and 'honest.' She has done both."—Hunter Drohojowska-Philp, Art News (Hunter Drohojowska-Philp Art News)

“Talk about a book bargain! At a time when an ordinary novel might cost $25 or more, you can acquire for just under $40 the intimate correspondence between two of the most important and influential American artists of all time: the great photographer Alfred Stieglitz (1864-1946) and the arguably even greater painter Georgia O’Keeffe (1887-1986).” —Washington Post (Washington Post)

“Human drama — and much else — appears in their letters, but is usefully clarified in the excellent footnotes and interspersed biographical material by editor Sarah Greenough, an authority on the work of Stieglitz and O’Keeffe.” —Los Angeles Times (Los Angeles Times)

“This volume brings us the missing pieces in the jigsaw puzzle of O’Keeffe’s life.” —ARTnews (ARTnews)

Won an award in the typographic category in the 2012 AAUP Book, Jacket & Journal Show (Typography Prize American Association of University Professors)

About the Author
Sarah Greenough is senior curator and head of the department of photographs at the National Gallery of Art, Washington, D.C. She is the author of Alfred Stieglitz: The Key Set and many other critically acclaimed books on modern photography.

Most helpful customer reviews

68 of 70 people found the following review helpful.
Two great artists, two great writers, one great love - and one fantastic book!
By Hervé Forniéri
And every one of them words rang true
And glowed like burnin' coal
Pourin' off of every page
Like it was written in my soul from me to you

When Bob Dylan wrote these lines in his song "Tangled Up In Blue," he was probably referring to the love poetry of Dante or Petrarch, but he could just as easily have been describing the magic swirling rush of white-hot prose in "My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz," one of the most beautiful and surprising books I have ever read - and definitely one of the sexiest: D.H. Lawrence and Henry Miller - eat your hearts out!

When I first heard about this book my hopes were high - but I was also more than a little dubious: Hadn't these two people already expressed themselves best through their art - O'Keeffe in her paintings, Stieglitz in his photographs? Well, yes - they both said a great deal in their art, but they clearly had much, much more to say about the world, about themselves, and about each other, and the proof is in this book. The biggest surprise of all is what wonderful writers they both were.

Stieglitz certainly knew how to express himself in bold polemics and manifestos ("I was born in Hoboken. I am an American. Photography is my passion. The search for truth my obsession.") but the word "subtlety" had no place in his public vocabulary, and he would seem to be ridiculously ill-suited to writing a tender love letter. This book reveals, however, that the exact opposite is true. In these letters he drops his public mask, and the incredibly articulate Stieglitz can be as fragile and delicate as the flowers O'Keeffe painted, frequently expressing himself with an almost Chekhovian sensitivity to mood and detail, but much of the time his words are an overwhelming torrent of vivid, unfiltered passion - Jack Kerouac would be proud! - and if words were indeed burning coal, this book would spontaneously combust.

In most of the famous photographs Stieglitz took of her, Georgia O'Keeffe seems cool, aloof and inscrutable. It thus comes as an enormous shock that in her early letters to Stieglitz she could be as flirtatious as a smitten schoolgirl. Georgia's expressions of love are just as intense as Alfred's, although her style is "sparse and vibrant" (in the words of the book's editor) as opposed to the "fervent and lyrical" prose of Stieglitz. It is easy to see why she eventually felt stifled by the controlling and self-absorbed Stieglitz, who in turn was doomed to be driven nuts by the distant and independent O'Keeffe. Theirs was the kind of delirious love affair we all dream about having, but most of us are unable to attain such heavenly highs, and thankfully we are rarely forced to endure such hellish lows. It is a lot safer to experience this kind of mad love vicariously - between the covers of a book like this.

And Alfred finally does indeed go mad on p. 495. Already on the verge of a nervous breakdown, he mistakenly thinks that Georgia has left him for good and panics, becoming at once a hysterical teenager who's just been dumped by his girlfriend, and a suicidal middle-aged man who is certain that he has just lost the love of his life. I'm surprised that he didn't kill himself before he mailed the letter... Okay, okay - Stieglitz was an awful drama queen, but he did feel things intensely - and he just happened to be the Father of Modern Photography, so, like Georgia, we must be prepared to cut him a little slack...

These letters are not all soap opera and Sturm und Drang, however - lots of them are just plain interesting. On p. 125, for example, Stieglitz goes to a party in Manhattan in 1917 and bumps into an up-and-coming French artist who offers to show him an amazing work in progress: "Having his studio a flight up, he took me up to see his work -- He is doing a marvelous thing on huge glass -- about eight feet by twelve -- Has been over a year on it -- It's all worked out with fine wire & lead -- a little color -- very perfect workmanship..." And thus the perceptive and appreciative Stieglitz gets a sneak peak at Marcel Duchamp's legendary "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)."

We're all familiar with O'Keeffe's iconic paintings, but what did she think about them when they were works in progress? "I hate the back of my Ranchos church -- Tomorrow I must get out at it again -- It is heavy -- I want it to be light and lovely and singing..." (July 9, 1930) "Strand didn't like the 'paint quality' in one of my best paintings -- Made me want to knock his hat off or do something to him to muss him up -- The painting certainly has no resemblance to a photograph..." (July 10, 1931) "The horse's head with a pink rose over its eye makes me laugh every time I look at it..." (November 10, 1931). Such fascinating insights are found on virtually every page of this book.

But for me, the two most amazing letters in this book demonstrate the almost supernatural synchronicity between these two lovers and artists. The letters were written by O'Keeffe and Stieglitz on the same day, September 25, 1923, while she was visiting York Beach, Maine, and he was staying at their summer home at Lake George, New York, two hundred miles away. Unbeknownst to the other, of course, each had been utterly entranced by the same moonlit night - but O'Keeffe saw a colorful painting, and Stieglitz saw a black-and-white photograph.

O'Keeffe: "Last evening -- walking on the beach at sunset I saw a pink moon -- nearly full -- grow out of the gray over the green sea -- till it made a pink streak on the water -- very faint -- that told you where the ocean began and the soft gray blur of space was ended -- And the moon grew hotter and hotter -- and the path on the water brighter and brighter till it burned so that I didn't want to look anymore..."

Stieglitz: "It was a marvelous night. A white moonlight night. I never saw any night quite like it -- none more beautiful -- For a long while before going to bed I stood at your window looking lakeward -- looking at the white silences -- the white night so silent. -- Nothing stirred. Even the moon full & round seemed not to wish to disturb the stillness -- it seemed to be moving slowly upwards as if on tiptoes moving through a house of stillness at night when all inmates were fast asleep. -- All was so still -- & the whiteness so lovely -- The hills were not hills -- they were something bathed in an untouchable spirit of light -- the line produced where this spirit met the sky spirit was of rarest subtle beauty -- Really I never saw anything quite so beautiful -- I looked & looked & knew I was awake..."

Or, as their fellow genius and American original, Bob Dylan, might have explained their permanent predicament (again from "Tangled Up In Blue"):

We always did feel the same,
We just saw it from a different point of view

Finally, it must be noted that if the O'Keeffe-Stieglitz correspondence had been published in its entirety, this book would have been the size of a microwave oven. Those two exchanged 25,000 handwritten pages, and never crossed out a word - thus the key to the book's title is the deceptively simple word, "selected." Just wading through all of these letters would have been a monumental task for anyone, but the editor, Sarah Greenough, has also apparently consulted every letter they ever wrote... to ANYONE! Not to mention every letter they ever RECEIVED! Yet the superhuman task the editor set for herself has resulted in a highly enjoyable book of manageable size. Her annotations are invaluable: always informative, but never intrusive, they save the reader from drowning in a flood of words. She even had the splendid idea of providing an index of first names - a handy tool, since Stieglitz and O'Keeffe had a whole lot of friends to keep track of. Greenough is particularly informative about a young woman named Dorothy Norman, the scheming groupie who latched on to Alfred in 1927, and whose increasingly domineering presence in his life helped to poison Stieglitz's friendship with his brilliant protégé, Paul Strand, and damaged his relationship with Georgia forever.

According to the acknowledgments, O'Keeffe herself asked Sarah Greenough to edit these letters, and - not surprisingly - Georgia knew exactly what she was doing: Somehow she was able to pick out the young scholar who has become America's preeminent photo historian (just as a great baseball scout can spot the potential in a young Hank Aaron or Sandy Koufax) and Greenough's commentaries come as a welcome interlude before the fireworks between Alfred and Georgia start up again.

I'm a big fan of photo books, and I own quite a few of the books she has edited, but until this title came along, my favorite Greenough book - my desert-island photo book, in fact - was "Looking In: Robert Frank's The Americans (Expanded Edition)," a mind-bogglingly complete explication of the works of an artist very different from Stieglitz and O'Keeffe - but now I'll have to bring "My Faraway One" to that desert island. With Georgia and Alfred there to keep me company, things might get a little agitated at times, but I will certainly never be bored.

22 of 23 people found the following review helpful.
A personal look at an amazing artistic relationship
By M J Miller
In MY FARAWAY ONE, Sarah Greenough provides an up-close-and-personal look at one of the most important artistic partnerships ever.

By turns supportive, turbulent, cutting, caring, but always mutually-creative, Stieglitz and O'Keeffe shared 25,000 pages of correspondence from 1915 through 1946, when Stieglitz died. They would frequently write several letters per day to each other, some up to 20-30 pages long (they both had flowing handwriting and used lots of space!). These letters were sealed, by request of O'Keeffe (with a few exceptions) until 20 years after her death. She personally asked Ms. Greenough to edit and compile them and the result is over 800 pages (Volume 1, with one more to come), which illuminates their incredible partnership.

O'Keeffe first visited Stieglitz's avant-garde 291 gallery as an art student in NYC. He was already a famous photographer and art impresario. She was intimidated by his fame and his strong personality but attracted by them as well, knowing that his opinions were of utmost importance. A friend showed Stieglitz some of her drawings and he was so enthralled that it began a relationship that would last until he died, making her into one of the most famous American artists along the way. He was also attracted to her independent personality and disarming candor, rare in a young woman of that time. She was 23 years younger than Stieglitz and her attention and obvious charms led their letters to become increasingly intimate. She, at his insistence moved to NY, he left his wife and daughter to move in with her. They eventually married, after living together for six years out of wedlock while he was still married to his first wife.

Through all their correspondence their artistic bond is clear and even paramount to their actual relationship. It is amazing to read in their own words, how they are inevitably drawn together, framed against the times through two world wars and changing artistic tastes. This is essential reading for anyone with an interest in American art history, or for anyone who has ever been in love. Looking forward to Volume 2.

6 of 6 people found the following review helpful.
superb book
By shoshanna preiss
Having read several biographies about Georgia O'keeffe this book outshone every other one. Here, through the letters, one gets the real sense of who these two people, O'keeffe and Steiglitz.
I came to know Georgia the young girl, the immature one who on the one hand did silly things, on the other hand is aware of and describes the beauty around her in such detail, that I felt I was right there with her.
I came to know Steiglitz the lover, the romantic, the more mature person, learned of his environment and of what mattered to him.
As the corrospondance continued I was able to slowly witness the maturing Georgia who became a woman, still fragile but knowing herself and her needs.
No Biography can compare to the riches of these letters. The author chose well, knew how to weave the important letters that brought to the reader a well formed tapestry of the lives of these two artists.
I am waiting for the second volume.

See all 17 customer reviews...

My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare Book and Manuscript Library PDF
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My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare Book and Manuscript Library PDF
My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare Book and Manuscript Library PDF

Minggu, 14 Februari 2010

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Make Me Lose Control (Cabin Fever), by Christie Ridgway

As live-in tutor to a headstrong teen, Shay Walker has her hands full-and the girl's absentee father doesn't help matters, either. All Shay wants is to let loose and indulge in a birthday fling with the hottest stranger who's ever caught her eye. But her one-night stand turns out to be Jace Jennings, her student's long-distance dad, and now he's taking up residence at his lakeside estate and in Shay's most secret fantasies. Jace isn't exactly a family man, but he's determined to do his best by his daughter-and the first step is forgetting how hot he is for her teacher. But close proximity and their heated connection keeps Shay at the forefront of his mind-even though it's obvious that she holds her heart in check. So does Jace-until they both realize that losing control just might mean finding forever.

  • Published on: 2015-09-29
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.30" h x 1.10" w x 6.40" l,
  • Running time: 8 Hours
  • Binding: Audio CD

Review
"An adorable five-year-old and a smart teenager-in-progress steal the show in this delightful tale that is both sizzling and heartwarming." ---Library Journal

About the Author
Christie Ridgway is the award-winning, USA Today bestselling author of more than forty-five contemporary romance novels. A six-time RITA finalist, she writes sexy, emotional reads starring determined heroines and the men who can't help but love them. Christie lives in Southern California. Visit her at christieridgway.com.

C. S. E. Cooney launched her voice-acting career narrating short fiction for Podcastle, the world's first audio fantasy magazine. She is a performance poet, singer-songwriter, and fantasy author whose collection Bone Swans has garnered starred reviews from Publishers Weekly and Locus Magazine.

Excerpt. © Reprinted by permission. All rights reserved.
Shay Walker watched the twentysomething man slap a cardboard coaster on the polished wooden surface in front of her. His long sun-streaked hair hung about his shoulders in the careless style of a guy who snow-boarded on the nearby peaks in winter and kayaked on the deep lakes in summer. "What can I get you?" he asked.

"A change in the calendar?" she murmured, looping the strap of her purse over the convenient hook on the underside of the bar. The small leather bag brushed her knees, bared by the new summer dress she wore. Though the late May evenings might still be cool in the Southern California mountains, Shay had opted for the filmy floral garment anyway. It was sleeveless, and the hemline was asymmetrical, nearly mini in the front and then flowing to midcalf in the back. It also revealed a minor amount of cleavage, which even in its relative modesty seemed to be captivating the bartender.

"Um, what?" he asked, his gaze slowly lifting from her chest to her face. "I don't think I know that drink."

"I was kidding," she said. "How about a martini? Vodka. Straight up." Though chardonnay was more often her order, tonight she needed a stronger beverage.

Birthdays didn't bring out the best in her.

In no time, the boarder-slash-bartender slid the requested drink onto the coaster then watched as she picked it up and sipped. Tiny slivers of ice melted on her tongue and the alcohol pleasantly heated the back of her throat. Okay, she thought, as she took another swallow. Maybe this celebration wouldn't turn out so bad, after all.

"You here alone?" the guy on the other side of the bar asked.

"For the moment. I'm meeting a friend." She glanced at the TV mounted above the glass shelves of liquor bottles, pretending a fascination with the news program playing.

Whether Boarder Dude would have taken the hint or not, she didn't know. A waitress approached and fired off a long order that claimed his attention, allowing Shay to give up her pseudofascination with the consumer reporter's fight to get a pothole filled in a city thousands of feet below the mountains.

She glanced around, taking in the adjacent restaurant. Exposed wood, an enormous chandelier made of antlers, warm lighting. People were dressed in peaks-and-pines chic, meaning they wore everything from denim to silk. A meal at the Deerpoint Inn's grill had been her old friend Melinda's idea. She'd recently moved to a tiny cabin a couple of miles from it and said she'd heard good things about the food.

Since the place was fifteen miles of winding mountain road from where Shay was currently living, in Blue Arrow Lake, she'd decided to book one of the inn's six rooms in case the birthday blues triggered some over-imbibing. Thinking of the key already tucked away in her purse, she took a hefty swallow of her drink. No reason not to get all warm and fuzzy as soon as possible.

It beat the heck out of what she could have been doing tonight—sitting alone in a massive lakefront mansion. And didn't that just sound whiny and pitiful? But it wasn't her massive lakefront mansion—she'd always lived in much humbler abodes—and the house would seem much too empty without the presence of the teenager Shay was charged with looking after until the end of summer. For the previous three months, she'd been a governess of sorts for a girl who colored her hair inky black, who exclusively draped herself in dark shapeless garments and who walked around with the jaded air of a thousand-year-old vampire. It made for interesting times.

But the teen was otherwise occupied for the night. In a show of rare enthusiasm, she'd opted to attend the Hollywood premiere of a much-anticipated animated movie with Shay's sister, her sister's young son and her sister's fiancé. They would spend the night down the mountain, too.

So when Melinda called, suggesting a get-together, Shay had agreed.

The bartender strolled by and glanced at her glass, and she gave him the nod. Yes, sir, I'll have another. She wanted more warm and fuzzy.

Birthdays were her bane not because her age upped a digit, but because the occasion reminded her of the circumstances of her conception. She wasn't a Walker, really—not by blood. When strained finances had put a rift in Dell and Lorna Walker's marriage, Dell had headed for a mining job in South America. Lorna's subsequent affair with a wealthy visitor to the mountain resort area had ended when she found herself pregnant. But not long after Shay was born, Lorna's husband returned to the States, reconciled with his wife and accepted another daughter into the family as if Shay were his own. There were adoption papers somewhere to prove it.

Still, she'd always felt a step or two outside the family circle, even though her older brother, Brett, and her big sisters, Mackenzie and Poppy, had never once made her feel like only half their sibling.

She lifted the fresh martini and took a swallow. Maybe her throat was numb now, because the burn there was gone. Instead, the drink sparked a bright idea in her brain. She should locate those adoption papers! Frame and display them as a daily reminder that she was actually one of the Walkers. Legally anyway.

With her parents deceased, however, she didn't know how to find the documents. Maybe Brett would have a clue where to look, she thought, digging her phone from her purse. When he didn't answer, she sent him a text, realizing her fingers were a little clumsy on the tiny keyboard.

Another swallow of mostly vodka eliminated her concern over it.

She'd nearly drained the second martini when the phone buzzed in her hand. The display read Mel.

"Where are you?" Shay demanded through the device. "It's my birthday and I'm all alone."

"Your birthday's tomorrow," Melinda pointed out.

"Oh, yeah." Shay had been going glum a whole day early. But that was okay, she decided, tilting back her head to shake the last drops of her drink into her mouth, because there was enough glum to spread across the calendar. Not all of her sibs could do cake and ice cream—their usual tradition—tomorrow so that was being postponed to yet another time.

Poor Shay. Poor Shay, who was not really a Walker.

"Uh-oh," she said to Melinda, signaling the boarding bartender that she needed a refill. "You better speed over here, stat. I'm drinking martinis and getting morose."

"About that…"

"Noooo." Shay began to shake her head, then quit, because the movement made her dizzy. When had she eaten last?

"I'm sorry, but—"

"This was your idea, Mel. I need an un-no, a mun-mo. An un-moroser!" She finally spit out the made-up word with a note of triumph.

The bartender replaced her glass with a fresh one. She pointed at him with her free hand. "I bet you really tear it up when you're shreddin' the gnar," she said to express her appreciation of how he'd anticipated her need. "And you never biff, do you?"

"Are you talking to me?" Mel said in her ear.

"Nope." Probably her friend didn't understand snowboard lingo any better than Shay, but that didn't stop her tonight. "That was to BB—Boarder Bartender."

"Oh, dear." Mel sighed. "You are drunk. And alone in a bar, where I can't get to you."

"Which I'm still waiting to hear what for." Shay frowned. "How. I mean, why."

"A wildfire has caused local road closures," her friend said. "They're diverting cars from the highway, too."

Shay blinked, somewhat sobered by the news. Fire was a constant danger in their mountains. "Structures threatened?"

"Not so far. But the closed roads mean I can't reach the inn…and you can't get home, either."

"I booked a room here." She drew the martini closer, and, thinking of fire, took it up for a hefty swallow.

"So's all's good."

"You're slurring," Melinda said.

"I'll order food. What goes with martinis?"

"Olives?" Mel suggested.

"Oh." Shay inspected her glass. "Mine came with those twisty lemon peels."

"I was kidding," the other woman said. "Get something with protein. And order bread. That's good to absorb the alcohol."

"But I'm enjoying the alcohol," Shay protested. Her gaze shifted to the TV screen as the bartender upped the volume. The picture was from a helicopter and showed the dark mountains and a glowing orange snake of flames. A shiver rolled down her back. Fire had taken a lot from the Walkers and she didn't appreciate the reminder of it.

Again, she brought her glass to her lips, hoping to drown her discomfort.

"Shay?" her friend called.

"Oh." She'd forgotten about Mel. "I wish you were here."

"Me, too." The other woman's voice went stern. "Now promise me no more martinis."

"Um…" Shay closed one eye to better inspect the clear liquid left in her glass. The yellow curl of peel was so delicate and pretty. Who needed olives? "No more martinis." Maybe.

"And try to have some fun tonight," her friend said. "That's an order."

Fun? All alone and with no more martinis? That wasn't the way to make Melinda's command come true.

The volume of noise from the patrons of the Deerpoint Inn amplified as more of them became aware of the fire and tuned into the coverage on the TV over the bar. The manager struck a glass with a fork and when the voices around him died down, he announced which roads were blocked. New people trickled in, having been rerouted from the now closed highway. The longhaired bartender got busy filling drink orders as many guests figured out they likely wouldn't be driving anywhere that night.

Trying to tamp down her nerves, Shay sipped at the last of the third martini, ordered a plate of chicken quesadilla appetizers, then threw caution to the wind and asked for another alcohol concoction.

Mel had told her to have fun, hadn't she? When the front door of the restaurant opened once again, bringing with it the disconcerting scent of smoke, Shay didn't hesitate to reach for her new glass.

She needed to block the fire from her mind.

A body slid onto the bar stool beside her. Shay looked over, the glance automatic, but her response was anything but.

As she took in the man on her right, it was as if a cold pail of water had been dumped on top of her head—an icy surprise. Following that, a rush of heat crept up from her toes all the way to the roots of her hair.

He was gorgeous.

And no boy, she thought, with a mental apology to BB, the boarder-bartender who had, after all, been so ably supplying her with vodka and a splash of vermouth. The newcomer was tall, his build rugged, with heavy shoulders and muscled arms, a broad chest, lean waist and strong thighs, all signaling a more than passing familiarity with manual labor. Linking his fingers on the bar, he ordered a beer, and Shay directed her gaze to his hands. They were big, too, and wide-palmed. She could see tiny white scars scattered on the tan skin.

Then, under the cover of her lashes, she took a second look at his face. At the same time, she tilted her head, just a little, as if trying to get a better view of the television and not his fine, fine features.

Wow.

His hair was mink-brown, thick and straight. It was shorn fairly tight, revealing a broad forehead. His cheekbones were high, he had a straight blade of a masculine nose and his lips were full. His strong jaw was edged with just a hint of dark stubble.

She stifled the urge to fan herself, afraid to draw his attention. What would she say to someone like him?

And then, before she could redirect her eyes, his head turned. His gaze cut straight to her face.

Like a lion's, his irises were golden. Also like a lion's, they seemed preternaturally aware of the weaker creature—Shay—in the vicinity. The tiny hairs on her body lifted, her senses warning he was supremely aware of her tripping heartbeat and all the delicious warm blood rushing below her skin.

Though her belly fluttered, she remained as she was—frozen, and feeling like an impala just now singled out by the biggest predator on the savannah. One of his dark eyebrows winged up.

And Shay blurted out the first thing that came into her head. "I'm supposed to be celebrating my birthday tonight but my friend couldn't get here."

The corner of his mouth twitched as the second eyebrow joined the first. "Okay."

"This is my third martini." She gestured toward her current glass, then frowned. "Or my fourth."

"All right."

"I've had nothing to eat yet." At that, she ran out of things to say. None of what she'd already shared, she realized, gave any rational explanation for why she'd been staring at him. Damn.

"Is it a four-martini birthday, then?" he inquired conversationally. He murmured thanks as his beer was placed before him. His gaze turned assessing. "I can't imagine it's one of the more painful ones."

"Oh, um, well." She shifted her attention to her drink and drew it closer. "Maybe it's the fire."

"Aren't we safe?" He sipped from his beer. "The highway patrol seemed to know what they were doing when they shuttled me in this direction. They said I might be stuck here for as little as a few hours, though possibly longer."

"We'll be fine." There was no need to pass along her skittishness. "The fire protection people and the other authorities have a lot of experience."

Her quesadillas arrived and the smell of them tickled her taste buds. She could feel the man at her side eyeing them with interest. Enough interest that she felt compelled to offer, "Help yourself. There's too much for me to eat all by myself."

"Oh, I—"

"Go on," she said. "We're fellow refugees of a sort, after all."

There was another moment's hesitation, then she saw his hand reach toward the platter. She pushed half the tall stack of paper napkins that had been delivered with the food toward him.

What she didn't do was look at him again.

Never before had she found a man so attractive, Shay decided. She wasn't a nun; she'd dated and had been in a couple of longish relationships. But one-night stands were on her Not Ever list.

Living in a small tight-knit community meant that everyone knew everyone's else's business. Since Shay was the product of an extramarital affair and the father of her sister Poppy's son had hightailed it at the words positive pregnancy test, there was more than enough Walker tattle for people to tittle over. Shay had never been tempted to add to it with a casual hookup.

Not that the man on the next stool was in the market for a hookup with her. He could have anyone. Though he didn't wear a ring, for all she knew he was married to the most beautiful woman on the planet.

"Hey, birthday girl," the man at her side said. "You really are down in the dumps, aren't you?"

She risked a look at him. Whoa. Still unbelievably handsome. His golden gaze swept her face, dropped just briefly, then came back up to meet her eyes.

That was good, because her nipples were tingling as they tightened into hard buds just from that quick glance. With masterful effort, she resisted squirming on her seat.

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5 of 5 people found the following review helpful.
Enjoyed it though I couldn't understand the heroine's issues
By Book and Dog Lover
Shay Walker is the summer tutor for 15-year-old London Jennings. London's parents divorced when she was young and she spent her time with her mother in England. Now that her mother has died, she's staying in Blue Arrow Lake being tutored by Shay Walker. Her father, Jace Jennings, hasn't been in her life since her parents divorced when she was 5 years old.

Jace Jennings doesn't know a thing about being a father. His own father was a cold man and Jace knows nothing about being a part of a family. He's moved his daughter to Blue Arrow Lake to figure out what to do - he knows construction, but doesn't know a thing about raising a daughter.

Shay has her own issues: She's the bastard daughter - her mother had an affair while she and her husband were separated. And although her entire family always included her as part of the family, she felt different and not a "Walker" like her siblings.

Shay and Jace meet and have a one-night stand (though it's a bit more than that, so they did get to know each other more than your typical one-night stand). Now that they're sharing a house, can they keep their feelings under control?

I really liked this romance. The characters were likable and Jace's issues with his romance with Shay and raising his daughter seemed believable. Less believable to me was Shay's issues: her entire family loves her and includes her and yet she feels separate. It just didn't work for me.

I've read many Christie Ridgway contemporary romances and have enjoyed most if not all of them. Like her other books, you have likable characters with quite a bit of steam in the romance (though not so much that it overtakes the book).

This is the second book in the Cabin Fever series. I haven't read the first book and I didn't feel confused starting with this second book. In fact, I liked this book enough so that I'm going back to read the first book.

1 of 1 people found the following review helpful.
Move over Jane Eyre
By a
I have read a couple Christie Ridgway novels before "Make Me Lose Control," so I suppose it would consider myself a moderate fan of the author. Her introduction here had me wondering if I'd be reading a twist to the Bronte classic "Jane Eyre," and sure enough, even the tutor/live-in babysitter hoped to meet the father of her charge ala "Eyre."

This was the second book in a series, though completely enjoyable without having read the first. "Make Me Lose Control" is about Shay Walker, her employer Jace Jen, and his teenage daughter, London. Shay has family ties to the picturesque town of Blue Arrow Lake, but her life is another story. While she has three loving siblings, she feels as though she is an outsider to the family after an unexpected birthday surprise. While drowning in her sorrows, Shay meets "Jay," and while the sexual attraction may not be immediate, it is impossible to ignore.

London, meanwhile, is mourning the death of her mother, the heartbreak of an absentee father, and the loss of her home. She finds solace in a Blue Arrow native and a change of heart in many aspects of her life.

Jace Jennings spends most of his days in remote, unsafe areas outside the country wishing his life had been different, but not sure he can take the steps to change any of it. Thrown into fatherhood after a lousy childhood and a loner life, he's not sure he's the man for the job, but he doesn't know how to tell London she'll be starting boarding school so he can get back to work. His personal life gets even more complicated by his need to bed "Birthday Girl" every chance he gets (and yes, there are explicits details in the bedding).

Overall, I enjoyed this breezy romance as much as I enjoyed Christie Ridgway's other novels. (I have read two in her Beach House No. 9 series). I suppose without realizing it, she has become one of my go-to romance writers. And this one is well worth your time.

1 of 1 people found the following review helpful.
A sweet read
By Deborah V
Shay Walker does many odd jobs to earn money including tutoring. Her current job is a live-in tutor to a 15 year old girl named London who hasn't seen her father for ten years. London's mother died and her dad is on his way back from Quatar to care for her. Shay, for her birthday, decides to go to town and meet a friend who can't make the meeting due to a fire that closes the road. She indulges in her first one-night stand with Jay an oh so handsome stranger also stranded by the fire. After she gets back to London who shows up as her charge's dad? Jace Jennings, Jay.

At first I was a little unsure whether or not I wanted to finish the book--after all how many times has this type of scenario been used in romance novels? But Ridgway developed Jace, Shay and London into real people with strengths, weaknesses and very human characteristics. We are able to enjoy the story from three points of view--that of Jace, the loner with a miserable childhood who feels he has destroyed his relationships as he has gone along. Shay with her own issues leftover from childhood that have made her feel less than worthy of her family. And my favorite character: London. A child of a selfish mom, a dad (Jace) who felt unworthy to be a parent and bowed out thinking it was for the best--London shines in the book as a 15 year old looking for herself during the angst of teen years.

The last few Christie Ridgway books were a disappointment to me, but this one makes sure I'll catch the next one!

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Rabu, 10 Februari 2010

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World 3.0: Global Prosperity and How to Achieve It

  • Sales Rank: #4552337 in Books
  • Published on: 1900
  • Binding: Hardcover

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Minggu, 07 Februari 2010

[O950.Ebook] Free PDF Savage Inequalities: Children in America's Schools, by Jonathan Kozol

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Savage Inequalities: Children in America's Schools, by Jonathan Kozol

For two years, beginning in 1988, Jonathan Kozol visited schools in neighborhoods across the country, from Illinois to Washington D.C., and from New York to San Antonio. He spoke with teachers, principals, superintendents, and, most important, children. What he found was devastating. Not only were schools for rich and poor blatantly unequal, the gulf between the two extremes was widening—and it has widened since.  The urban schools he visited were overcrowded and understaffed, and lacked the basic elements of learning—including books and, all too often, classrooms for the students. 
   In Savage Inequalities, Kozol delivers a searing examination of the extremes of wealth and poverty and calls into question the reality of equal opportunity in our nation’s schools.

  • Sales Rank: #9371 in Books
  • Published on: 2012-07-24
  • Released on: 2012-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .56 pounds
  • Binding: Paperback
  • 336 pages

From Publishers Weekly
Kozol believes that children from poor families are cheated out of a future by grossly underequipped, understaffed and underfunded schools in U.S. inner cities and less affluent suburbs. The schools he visited between 1988 and 1990--in burnt-out Camden, N.J., Washington, D.C., New York's South Bronx, Chicago's South Side, San Antonio, Tex., and East St. Louis, Mo., awash in toxic fumes--were "95 to 99 percent nonwhite." Kozol ( Death at an Early Age ) found that racial segregation has intensified since 1954. Even in the suburbs, he charges, the slotting of minority children into lower "tracks" sets up a differential, two-tier system that diminishes poor children's horizons and aspirations. He lets the pupils and teachers speak for themselves, uncovering "little islands of . . . energy and hope." This important, eye-opening report is a ringing indictment of the shameful neglect that has fostered a ghetto school system in America. 50,000 first printing; BOMC and QPB selections; author tour.
Copyright 1991 Reed Business Information, Inc.

From Library Journal
In 1988, Kozol, author of Death at an Early Age ( LJ 7/67) and the more recent Rachel and Her Children ( LJ 3/15/88), visited schools in over 30 neighborhoods, including East St. Louis, Harlem, the Bronx, Chicago, Jersey City, and San Antonio. In this account, he concludes that real integration has seriously declined and education for minorities and the poor has moved backwards by at least several decades. Shocked by the persistent segregation and bias in poorer neighborhoods, Kozol describes the garrison-like campuses located in high-crime areas, which often lack the most basic needs. Rooms with no heat, few supplies or texts, labs with no equipment or running water, sewer backups, fumes, and overwhelming fiscal shortages combine to create an appalling scene. This is raw stuff. Recommended for all libraries. Previewed in Prepub Alert, LJ 6/1/91 under the title These Young Lives: Still Separate, Still Unequal; Children in America's Schools .
- Annette V. Janes, Hamilton P.L., Mass.
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
Kozol again turns a floodlight on a dark corner of the nation's soul, the classrooms of the minority poor. Here, Kozol returns to the public schools where he began a career as spokesman for the powerless and conscience of the privileged 25 years ago (Death at an Early Age). Reports of schools in black and Hispanic communities from New York to California-- where not only books, crayons, and lab equipment but also toilet paper are rationed--are painful to read. School buildings turn into swamps when it rains or must be closed (or, worse yet, are kept open) when sewage backs up into kitchens and cafeterias. A school in the South Bronx is set up in a windowless skating rink next to a mortuary, with class sizes up to 35, lunch in three shifts, a library of 700 books, and no playground. The school population is 90-percent black and Hispanic. Yet it is only a few minutes north to a more affluent part of the Bronx and a public school surrounded by flowering trees, two playing fields, and a playground, with a planetarium and an 8,000-book library. There, the population is overwhelmingly white and Asian. More horrifying stories follow--but it's Kozol's intention to horrify, in order to make the point that these vast disparities in quality of education are caused by racism. Nearly 40 years after Brown v. Board of Education, many US schools are still separate but no longer even remotely equal. Critics will argue that these sad case histories are isolated or rare and are situated in communities whose economies have collapsed. Partly true, but Kozol's point is that justice and decency call for sharing resources in times of trouble, not abandoning children (and their teachers) to degradation and ignorance. A powerful appeal to save children by redistributing the wealth. It will cause angry, but perhaps fruitful, debate. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

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50 of 57 people found the following review helpful.
Wake Up America
By Kathleen A. Bates
Anyone believing that America is the land of opportunity for our young people should read this book. Anyone convinced that America is not the land of opportunity for our young people, but wants statistics to back this belief, should read this book too. In chapter after chapter Kozol dispels the myth that all children in this country are provided with an equal opportunity for education. The stark contrast he provides between neighboring schools in some of our countries major cities is haunting and unbelievable. The conditions that some of our children face day after day, and year after year would break the spirits of even the strongest adults. For example: The children of Martin Luther King Junior High in East St. Louis have experienced repeated school closing due to sewage back-ups. Students in DuSable High School's auto mechanics class have waited 16 weeks before learning something so basic as changing a tire because of no instruction. "On an average morning in Chicago, 5,700 children in 190 classrooms come to school to find they have no teacher."(p. 52) At Goudy Elementary, in Chicago, there are two working bathrooms for 700 children and toilet paper and paper towels are rationed. In New York City's Morris High the black boards are so badly cracked that teachers are afraid to let students write on them, there are holes in the floors of classrooms, plaster falls from the walls, and when it rains waterfalls make their way down six flights of stairs. In Public School 261 in District 10 in New York 1300 elementary students attend school in a converted roller skating rink. The school's capacity is 900 and there are no windows, which Kozol describes as creating feelings of asphyxiation. In Camden, New Jersey, at Pyne Point Junior High, students in typing class learn on old typewriters not computers. The science lab has no workstations and the ceiling is plagued with falling tiles. At Camden High only half the students in 12th grade English have textbooks. Kozol's book is filled with statistics of this nature. Repeatedly there are inadequate supplies, untrained personnel, dilapidated facilities, and impoverished conditions.
As alarming as these conditions are, so too are the attitudes of those who are on the other side. Kozol shared conversation wtih senior high students in suburban Rye, New York. When asked if they thought "it fair to pay more taxes so that this was possible" (i.e., opportunities for other children to have the same opportunities they had)(p.128) one student expressed the lack of personal benefit this would provide. An attitude like this wouldn't have surfaced even in the wealthiest schools in 1968, according to Kozol. Implying we have passed on the self-seeking attutitudes so prevalent among the upwardly mobile in this country. The Supreme Court cases that have addressed this notion of equal opportunity have consistently supported the system of separate but "unequal."
What Kozol demonstrates so profoundly is what little progress has been made toward providing equal educational opportunities for all children since Brown vs. the Board of Ed. This book is a must read for anyone in local, state or national politics, administrators of all schools, teachers, and teachers in training, education professors, and any citizen wanting to understand one of the profound causes of what's wrong with schooling in America. I don't know what it will take or when we will share the idea that "All our children ought to be allowed a stake in the enormous richness of America." (p.233)

50 of 60 people found the following review helpful.
eye opening
By L. Rephann
i couldn't put this book down when i started reading it. each essay, which covers a particular city and school system, points out things wrong with public education in the USA, and who's getting the shaft: KIDS. some of the essays are jaw-dropping. i would've never believed it was so bad out there, but moreso, i didn't understand or even begin to see the politics involved in public education at each and every level. education may be a major political issue at the national level, but as it seeps down into district, local politics, that's where the mismanagement, corruption, bloat, and simple lack of care become most astonishing. as a teacher in the NYC public school system, most of what i read in kozol's book, i have come to see (i read the book before i started teaching) in real life: 30 books for 180+ students; roaches and rats in the classrooms; inept and careless administrators; rampant truancy and disaffection (but can you blame the kids? they are often left at home while the parent--usually one--works two or more jobs). the problems are severe and the solutions, you'd think, would be just as severe. but nothing changes and teachers are left in the middle, blamed by both administrators and parents. public education in this country needs to be seriouly revamped, but according to Kozol, and my own views and what i've seen, it's unlikely anything will change for URBAN education until racism and inequality are also addressed.

9 of 9 people found the following review helpful.
Hard-hitting but soft when it comes to real solutions
By Andrew Asensio
Jonathan Kozol's Savage Inequalities is heavy on details of the tragic conditions existing in our cities' public schools these days, but it is light in terms of tangible solutions to the crisis. For this and other reasons, Kozol's effort, while it packs a breathtaking punch, nonetheless fails to live up to its potential as a force that can be expected to make an impact in society. A decade after the book's publication, things have gotten no better, and while we can in no way attribute the blame for that to Kozol himself, we nevertheless can try to find ways in which the book may have been able to make a larger impact.

The most obvious problem with the book is its lack of solutions to the crisis. Kozol's main offering is simply to say, "give these schools more money." But since he can fall back on money and the lack of it as the root cause of the entire problem, Kozol largely ignores attempting to provide any type of suggestions for how individuals can make the system better. Instead of offering suggestions for what school administrators can do in terms of, say, curriculum reform, Kozol's biggest word of caution relating to school administrators is that some black school administrators should be ashamed of themselves for allowing people to put a black face in the public eye to deflect criticism. Instead of offering legitimate criticisms of how teachers in urban public schools should try to better relate to their poor young children, Kozol simply decries the fact that many of these teachers are ill-suited for their roles. And, Kozol continues, those teachers that are able to succeed in this environment, like Chicago's Corla Hawkins, are essentially nothing more than an inexplicable phenomenon: "But what is unique in Mrs. Hawkins's classroom is not what she does but who she is. Warmth and humor and contagious energy cannot be replicated and cannot be written into any standardized curriculum. If they could, it would have happened long ago" (51). Kozol provides no suggestions on how to apply the best practices of successful teachers like Corla Hawkins, but instead only treats them as merely a minor inconsistency that doesn't follow the remainder of his argument.

Kozol's transcripts of the discussions he holds with young students raises some caution flags. Some of the dialogue does not seem like it realistically could have come from the mouths of children, both in the cases of students at a well-off school or a poor school. Take some of the words of wisdom espoused by several students in Rye, New York: "... you cannot give an equal chance to every single person. If you did it, you'd be changing the whole economic system ... I can be as open-minded and unrealistic as I want to be. You can be a liberal until you have a mortgage ... Charity will not instill the poor with self-respect" (128-129). Are these really the words of sixteen-year-olds? Although it is impossible for us to substantiate the criticism, my intuition is that Kozol is editing these students words to make them look smarter than they are, to make the reader believe that they must be more privileged than they are. Likewise, the poor students seem to have an unrealistic level of self-consciousness, as when two Camden children are in discussion, and one's announcement that "I have problems with my self-esteem" is followed by the retort, "Don't let him shake your confidence" (156). These just don't seem like the words of children, and there's a significant question as a result as to whether or not we can really rely on Kozol the narrator.

In summation, Kozol's book is a disappointment if the reader entered with the expectation, as I did, of finding a treatise offering answers as to how we can really improve our public schools in the twenty-first century. This isn't to say that Kozol's research hasn't provided us with a lot of value. Instead, at the end of everything I was left with the impression of Savage Inequalities being a great research composition, best used for others who want to take these case studies as a starting point for moving the discussion of how to improve schools forward. In other words, this is the book that sociologists or public policy-makers will use as background when they are putting together their own books on improving public education. This isn't the final product; rather, these are the research notes, and we are left now to figure out how to use them.

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