Minggu, 25 Juli 2010

[H836.Ebook] Ebook Download Renaissance Florence: The Invention of a New Art (Perspectives) (Trade Version), by Richard A. Turner

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Renaissance Florence: The Invention of a New Art (Perspectives) (Trade Version), by Richard A. Turner

This text offers an incisive account of 14th and 15th-century Florentine art in its social, cultural, political, geographic, economic and religious settings. It ranges from monumental and public artworks to the intimacy of the domestic interior.

  • Sales Rank: #3562336 in Books
  • Published on: 2003-04-04
  • Original language: English
  • Number of items: 1
  • Dimensions: .52" h x 6.56" w x 9.40" l,
  • Binding: Paperback
  • 176 pages

From Library Journal
Turner's (arts and humanities, New York Univ.) introduction to early Renaissance Florence neatly articulates the economic, political, and religious milieu of the city's artistic efflorescence. Within that context, he artfully limns an image of the expanding urban fabric of the 14th and 15th centuries. Besides evoking the problems of artistic function, patronage, and the training and professional life of the artist, the author articulates the intricate stylistic byways that mark the onset of the new Renaissance approach in sculpture, architecture, and painting, including a survey of the interior decoration of monasteries and homes and a contextual overview of some of the key monuments of the later 15th century. While unsurprising in its approach and conclusions, this carefully etched work is more than adequate as a primer to the study of the early Renaissance in Florence. Welch (Art and Authority in Renaissance Milan, Yale Univ., 1995) casts his investigative net over all Italy. Giving particular emphasis to the social ambiance in which art is produced and consumed, his discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus. Readers should derive a deeper appreciation of the way contemporaries may have experienced works of art and the historical, religious, and intellectual environment from which they emerged. Along with keen analyses of the materials and the making of objects, workshop practices, and the relationship of artists and patrons, the context and function of sacred, public, and domestic works are vividly delineated here. While largely eschewing the formal analysis of traditional art history, Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature.?Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1997 Reed Business Information, Inc.

About the Author
A. Richard Turner is Paulette Goddard Professor Emeritus of Art and Humanities, New York Unversity.

Most helpful customer reviews

33 of 35 people found the following review helpful.
Explaining Florence
By A Customer
As an art lover and architect, who has been reading extensivelly about Italy and spent three weeks exploring the city, I define this book as comprehensive, delicious to read and excellent in contents. Turner explains how the city has achieved such a moment in human civilization, not only by its art, but by its economics, technology, geography, historic context, social behavior. This book is one to fall in love with, and I would put it as a must read together with Kenneth Clark's Civilization.

16 of 17 people found the following review helpful.
Beautiful book!
By A Customer
The book is very well done. The photographs are of high quality; the coverage complete. I purchased the volume as background information for an art history survey course I'm enrolled in (I already hold a post-grad degree), and found it to be an excellent supplement to the cursory review my textbook offered.

9 of 11 people found the following review helpful.
Fantastic for Florence
By M. East
Renaissance Florence by Turner is an absolute must for Florence. The book has a plethora of information that will enhance anyone's trip to the city.

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Kamis, 15 Juli 2010

[P278.Ebook] Download Pembrick's Creaturepedia: Skreean Edition (The Wingfeather Saga Book 5), by Andrew Peterson

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Pembrick's Creaturepedia: Skreean Edition (The Wingfeather Saga Book 5), by Andrew Peterson

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Pembrick's Creaturepedia: Skreean Edition (The Wingfeather Saga Book 5), by Andrew Peterson

The inexhaustive Creaturepedia (Skreean edition), as compiled by the esteemed sketcher/adventurer/disguiser/sneaker Ollister B. Pembrick, will keep you safely ungobbled by the many beasts and biters of Skree--creatures like the squeeblin (horrid!), the geef (deceptive!), and the doomy oiple (doom!). Beware of the creatures in these pages.

  • Sales Rank: #80599 in eBooks
  • Published on: 2015-06-23
  • Released on: 2015-06-23
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
... and the Fearsome Toothy Cows of Skree!
By Mommy Sunshine
My kids love this book! They have read several parts aloud in the car, to the guffaws and chuckles of the audience. (They also took care to reassure their younger sibling that it wasn't really too scary.) They delighted in the pictures and clever descriptions. They have in turn each taken it to their rooms to peruse during quiet time, and then taken it again after finishing it once. My oldest kid is also loving the Wingfeather stories. (I am loving the Wingfeather stories, too!)

2 of 2 people found the following review helpful.
The perfect companion to Andrew Peterson's Wingfeather Saga
By Amazon Customer
Pembrick's Creaturepedia is the perfect companion to Andrew Peterson's Wingfeather Saga. My girls loved stopping after every other chapter to look at the sketches of any creature that we encountered in the pages of the series. This really helps the already vivid stories come to life in all the fun details.
Also, Read the Books!

2 of 2 people found the following review helpful.
Mind the Quill Diggles!
By TheLongRoadToZion
My eight year old daughter is fascinated with this book, and loves being able to fill in some imagination blanks of the creatures in the Wingfeather Saga. You never know when you might need your kids to recognize a thwap so they can catch it and toss it in the neighbors yard. :) Great companion to a great series.

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Selasa, 13 Juli 2010

[N478.Ebook] Ebook Free Writing on the Tablet of the Heart: Origins of Scripture and Literature, by David M Carr

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Writing on the Tablet of the Heart:  Origins of Scripture and Literature, by David M Carr

This book explores a new model for the production, revision, and reception of Biblical texts as Scripture. Building on recent studies of the oralwritten interface in medieval, Greco-Roman and ancient Near Eastern contexts, David Carr argues that in ancient Israel Biblical texts and other texts emerged as a support for an educational process in which written and oral dimensions were integrally intertwined. The point was not incising and reading texts on parchment or papyrus. The point was to enculturate ancient Israelites -- particularly Israelite elites -- by training them to memorize and recite a wide range of traditional literature that was seen as the cultural bedrock of the people: narrative, prophecy, prayer, and wisdom. Generally, mastery was exercised through remarkably exact recall and reproduction of the tradition -- whether through oral performance or through production of written "performances." Crises like exile, however, could prompt the creation of radically new versions of the classic tradition, incorporating verbal recall of ancient tradition with various extensions, recontextualizations and supplements. This educational process took place on a one-to-one basis and focused on the cultivation of an educated elite. A major change took place with the arrival of the Hellenistic empires in the fourth and following centuries. This, says Carr, led to the emergence of a democratized Jewish "school" as well as the marking off of the standard Israelite texts as an "anti-canon" to the Hellenistic canon of educational texts that were used in the Greek schools of the Eastern Mediterranean.

  • Sales Rank: #1112692 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 2008-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.00" w x 9.20" l, 1.07 pounds
  • Binding: Paperback
  • 348 pages
Features
  • Used Book in Good Condition

Review
In Writing on the Tablet of the Heart David Carr draws on a vast range of evidence to explore writing and the socialization of elites in the ancient Near East and the Hellenistic world. This impressive work contributes vitally to breaking down the distinction between literacy and orality which has often clouded discussions of cultural and administrative institutions in the ancient world, and reaches significant conclusions that will have an impact far beyond its core area of Biblical Studies. John Baines, Professor of Egyptology, University of Oxford David Carr's Writing on the Tablet of the Heart provides a fresh and highly readable account of the contexts and conditions which progressively shaped ancient Israel's textual heritage as scripture. Carr adroitly employs an impressively broad range of comparative and theoretical perspectives to argue for the centrality of an oral-written textual practice in the educational process of cultural formation and socialization in elite Israelite circles. While this book is must reading for students and scholars of the Hebrew Bible, both in its literary formation and social reception, Carr's reach extends to other cultural fields in which orality and textuality are performatively bound. Steven D. Fraade, Mark Taper Professor of the History of Judaism, Yale University David Carr has given us an extremely thorough study of the modes of textual transmission that has far-reaching implications for our study of the Pentateuch and the composition of biblical literature. Using a comparative and anthropological approach, Writing on the Tablet of the Heart breaks new ground in understanding the implications of orality and literacy in the formation of Scripture. This well-written and carefully researched book deserves to be a standard work for anyone interested in the Bible. William Schniedewind, author of How the Bible Became a Book [Carr] integrates so many good ideas together into a coherent synthesis that this will become a classic text worth quoting. His arguments are compelling. The author has brought old insights into a comprehensive synthesis and given us new perspectives, or "handles," by which to focus our attention on the greater picture of writing, literacy, scribes, and literary texts in the ancient world. Catholic Biblical Quarterly Exceptionally erudite and readable. Biblical scholars will need to seriously consider this well laid out challenge to the generally accepted theories of documentary sources. Review of Biblical Literature

About the Author

David M. Carr is Professor of Old Testament at Union Theological Seminary in New York. He is the author of The Erotic Word: Sexuality, Spirituality, and the Bible (OUP, 2003) and several other books.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Fascinating exploration of oral traditions in ancient Israel
By Jeri
One of the most difficult areas of ancient life for scholars to understand is the period when oral traditions still held as much importance as the written word. At one point "written texts served as a crucial media to facilitate oral learning" (p 27), so important were the oral traditions to ancient cultures. Yet all we have left to decipher the older oral cultures is the scanty echoes we find for it left in writing.

Much of what survives, from the Illiad to the Atrahasis epic, clearly show evidence of having been performed orally first. But how accurately were things passed on? From the evidence, enormous care was given to accurate memorization.

For Second Temple Jews, oral tradition was considered the equal of the written scriptures, and as binding (Josephus-Antiquities 10.2.1 XIII,297 and Philo -10.2.2 The Special Laws IV 143-150) so, surely, great care was taken in passing on oral traditions.

In ancient Israel there is plenty of evidence to suggest a vigorous educational system. Abecedaries have been found, and, "Over the recent decades, archaeologists have uncovered a significant number of ancient Israelite educational texts, correspondence, tax receipts, and graffiti" (p 112) indicating a similar situation to education throughout Mesopotamia, especially in Summaria and Greece.

The evidence suggests young boys were taught within their own family, if the father was a scribe, or in a very small house school. Education was based on memorization of the culture's important epics or texts.

Ben Sira refers to at least one formal school and the Qumran texts provide lots of examples of educational exercises. "Jubilees provides similar pictures of priest-centered small-scaled, family-oriented forms of textuality and education" (p 204).

Qumran is especially interesting because the texts show clear evidence that learning was of vast importance. There was "an ongoing community of study, where every group of ten must always have an interpreter of the Torah day and night, relieving one another in shifts, reading the scroll aloud, investigating the law, and blessing the congregation" (p 218).

This is not to say that the evidence shows that the entire culture was literate. On the contrary. The Second Temple Jews needed their priests to be literate, and they also needed a large number of scribes for taxes and correspondence. But there was little point to the average farmer knowing how to read. Although Josephus states that the Law requires all children 'to be taught letters (Ag.Ap I.60).

Acrostics in the Bible point to the early educational system in the Bible, as does Duet 6:6 reminding parents to repeat God's words to your children, to "recite them when you are at home and when you are away, when you lie down and when you rise".

Memory was the foundation of all education in the ancient world. You most certainly did not have to be a member of the elite to be literate or well educated. Many of the upper class Romans had slaves who read to them. And teachers were widely regarded as lower class, poorly paid, and of no social consequence.

Carr argues that writing began for the Jews in the Davidic-Solomonic period "a period the Bible depicts as the time of emergence of city-state structures" (p 163). Whatever education there was during this time would have been scanty, as the epigraphic evidence suggests, "that any such early forms of textuality and education pale in comparison to the development of the later prexilic period" (p 164).

By the Second Temple period, there is clear archaeological evidence for synagogues, which became "sites for study and prayer" (p 243).

3 of 3 people found the following review helpful.
The Original Hebrew Text
By Sue Earl
David Carr gives an excellent presentation that helps Western readers understand the form of the original Hebrew text. His primary thesis is that the form of the text, without word dividers and markers, was needed to be well-known by the reader prior to the public reading of the text. His theory is that the purpose of the text was primarily a prompt to aid the reader remember and recite this already well-known text. This form meant that the reader could easily recognize large sections, rather than read individual words. The purpose of the recitation and memorisation of the writing was to ensure that the tradition was "written on the listeners' minds and hearts". He gives examples of writings of surrounding ancient cultures to reinforce his ideas regarding Israel's writings.

0 of 0 people found the following review helpful.
What is this book about?
By Benjamin D. Steele
This is an interesting book, but I wasn't sure if it would be. I suspected others might feel the same way considering this book. I hope this review will be helpful.

There are many positive blurbs. The Catholic Inquiry said that Carr "brought old insights into a comprehensive synthesis and given us new perspectives." John Baines, an Egyptology professor, declares that the author "reaches significant conclusions that will have an impact far beyond its core area of Biblical Studies." Teresa Morgan, an Ancient History scholar, suggested that "His cross-cultural analysis will stimulate new insights into areas which readers know well, while it also offers intriguing glimpses into new territory." And William Schniedewind, an author on Bible Studies, gives praise that the Carr "breaks new ground in understanding the implications of orality and literacy in the formation of Scripture."

Sounds great. Yet going by those blurbs it isn't clear what the book is about, beyond some general relationship of orality and literacy in the ancient world. What exactly is the synthesis, new perspectives, significant conclusions, new insights, intriguing glimpses, and implications? I had to read the book to find out even what the book is about, which made it a bit difficult in my original decision about whether or not to buy the book.

Worse still, none of the reviews were overly informative and insightful. All that I could tell from the reviews was basically what the blurbs said, but no one bothered to explain the significance of this relationship between orality and literacy. When reviews are of such a low quality it makes me have doubts about reading a book. I'm glad I decided to read the book anyway.

I'm part way into the book now. I might revise my thoughts later on. But I wanted to offer a preliminary review.

The reviewer Sue Earl is correct that "[Carr's] theory is that the purpose of the text was primarily a prompt to aid the reader remember and recite this already well-known text." But it is a lot more than that. The book isn't, as reviewer Jeri states, just about a "vigorous educational system . . . of vast importance."

More importantly, it's about what all this meant for ancient societies and their development, the social and cultural significance. The author's interest isn't merely academic. He seeks to understand the implications for today of the early texts produced millennia ago, as some of those texts remain centrally important to modern society.

It really is a fascinating subject. And the book is a worthy read.

That said, I will offer one criticism. The author concludes that literacy (or rather a particular form of it) was central to the development of civilization as we know it. I'd agree with that in a general sense. But I think he misses something by maybe not taking seriously enough pre-literate societies.

I happen to be reading recently another book that specifically deals with pre-literate societies. It is Knowledge and Power in Prehistoric Societies: Orality, Memory, and the Transmission of Culture by Lynne Kelly.

Kelly offers an original theory. The details of it aren't important here, but I'll point to the relevant part.

In her doing research in relation to the Australian Aborigines, she came to realize how vast the store of knowledge oral societies maintained from generation to generation. Her book explains how this is possible. These people needed detailed knowledge of the world around them and they needed to be able to pass this on with precision and accuracy, which required highly effect mnemonic tools.

From what I can tell, this challenges Carr's own theory. I don't think it disproves his basic argument. But it might call into question certain elements. As I get further into both books, I'll have more to add.

The two books would make for useful comparison, as they offer views from either side of the transition into literacy.

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Red Barry was one of the most visually innovative adventure strips of the mid-1930s, combining fluid brushwork and noir shadows (in bold blues and purples) with figures that were constantly in motion, plus a level of violence that brought cries of protest from its syndicate. Red Barry and Secret Agent X-9 were King Features’ answers to the Tribune Syndicate’s popular Dick Tracy by Chester Gould. While X-9 continued for decades under hands of various quality, Red Barry by Will Gould (no relation to Chester) was an auteur’s vision that lasted less than four years (primarily because Gould couldn’t meet his deadlines). Regardless, it is today considered one of comics history’s great unsung masterpieces, one which famed mystery writer Anthony Boucher said was “the only detectives strip…worthy of any consideration from my scholarly viewpoint.” This two-volume series will reprint the complete dailies and color Sundays.

  • Sales Rank: #795941 in Books
  • Published on: 2016-11-15
  • Original language: English
  • Dimensions: 11.10" h x 1.20" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 284 pages

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5 of 5 people found the following review helpful.
A Beautiful Presentation of Lost Classic
By Stephen Vincent Kempton
The Library Of American Comic's does the best presentation of Comic Strips Period. And this book is as good as it gets. This is the first of two matching volumes which will reproduce the entire four year run. This volume has the daily ( 1934 and 1935) Black and White strips reproduced in crystal sharp clarity. The Dailes are reproduced three strips to a page in the oversized Landscape format. While the Sundays which were a separate continuity and run in the back of the book in full glorious color. The coloring is faithful to the original, but when the source material has bleed over printing or smudging happened this has been computer corrected. So it all looks like a pristine copy of a 1935 newspaper supplement. Since the Sundays ran ran full page size this volume reprints them one Sunday for on two facing pages. Since the orginal Sundays ran initially four tiers then went to six tiers they all can be divided in half perfectly with no loss.

The book runs almost 300 pages with a great introduction by Bruce Canwell lavishly illustrated by other early examples of Will Gould's work and other comic strips. You also get LOAC traditional book cover and attached linen book mark.

The comic strip ran for 4 years and was a direct response to the success of the Dick Tracy comic strip. King Features desperately wanted a Hard Boiled Detective strip of their own so they set about creating Secret Agent X-9. Artist Will Gould was one of those trying out for X-9. When Will Gould ( no relation to Dick Tracy's Chester Gould) submitted his work for X-9 he submitted a separate proposal for Red Barry. A strip he would be allowed to write as well as illustrate. King Features picked Alex Raymond for X-9, but also approved Red Barry at the same time.

In 1934 the idea of a police man going Under Cover was considered very orginal and not the Genre Troupe it is today. The early strips very much emulate the gritty style of Dick Tracy. The first major supporting character is Ouchy McGouchy who is a kid Side kick very much in the vein of Tracy's Junior.

While some of the early villains where on the bizarre side like Tracy he soon switched over to more realistic characters like Killer Donniger who was a thinly disguised John Dillinger. The violence in the strip was ramped up with grisly deaths. When Publisher William Randolph Hearst saw some early examples he was disgusted and asked Writer Dashiel Hammett (writer of X-9) to mentor him. This back fired and the two became good drinking buddies. For my money Will Gould wrote the superior comic strip. The one fault I noticed in some of the early strips is that Gould had major events happen "off camera" and not illustrated. We are just told about it in the captions. For example when Ouchy McGouchy is shot in a criminal crossfire. We only learn who it was in the next day's recap.

Overall I think I enjoyed the Sundays more but that might be because it started almost a year later and Gould's storytelling skills had vastly improved. The only error I found was on page 203 at the beginning of the Sunday Section where the editors give the wrong year.

Overall this is an excellent presentation of a little know classic. The ending of the series which I am sure will be touched on more in the second volume has more to do with Gould's Socialite Lifestyle which put the strip constantly behind schedule and a lawsuit over Movie Rights then the number of readers and popularity of the strip.

My Highest Recommendation.

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Jumat, 09 Juli 2010

[I622.Ebook] PDF Ebook Workbook in Everyday Spanish: A Comprehensive Grammar Review, by Julio I Andujar, Robert J Dixson

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Workbook in Everyday Spanish: A Comprehensive Grammar Review, by Julio I Andujar, Robert J Dixson

  • Sales Rank: #10627169 in Books
  • Published on: 2004-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.22" h x 1.15" w x 8.47" l, 2.44 pounds
  • Binding: Paperback

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Rabu, 07 Juli 2010

[M812.Ebook] PDF Download Archie #609, by Dan Parent

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The world has witnessed the double-bill of the century, as The Archies and Josie & the Pussycats co-headlined a major concert tour! When the lights dimmed, it turned out that the lyrics to the love songs weren't just being recited on stage, but also whispered into Valerie's ears by Archie! The two lovebirds soon became songbirds, penning their own original love song. But when Betty and Veronica find out, they're in no mood for love songs!

  • Sales Rank: #2736084 in eBooks
  • Published on: 2010-05-26
  • Released on: 2011-09-21
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
So cute
By B.j
I..I think I got something in my eyes that was so ...... no words I love it it leaves me so sad

0 of 0 people found the following review helpful.
Good
By Anastasia Star Durham
Sad, Archie and Valerie are apart away. But good comic.

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Sabtu, 03 Juli 2010

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  • Published on: 2008-04-01
  • Binding: Hardcover

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