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Everyone in Dickens: Volume I: Plots, People and Publishing Particulars in the Complete Works, 1833-1849, by George Newlin
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Until now, there has never been a work on Charles Dickens which has reflected absolutely everything he published, including his journalism and collaborative efforts. And never before has his oeuvre been arranged in the strictest practicable chronological order. Five hundred twenty-eight titles are dealt with in Everyone in Dickens, a three-volume reference set including: 5,200 individual character entries in Volumes I and II; 13,000 different figures reflected in Volume III; 293 illustrations associated with the earliest issuances of the works; and a series of 12 one-of-a-kind indexes covering characters by name, characters by family relationship, all historical persons mentioned, and much more. The set was created for people―students, scholars, and just readers―who would like to be able to find beloved Dickens characters quickly, discover new ones, and have a trove of accessible data on the man and his creations from which to embark on their own explorations and develop their own conclusions. Everyone in Dickens organizes the characters and nonfictional figures created or mentioned by Charles Dickens by work and within each work by importance. There are Principal Characters, Supporting Roles, Other Characters, Walk-ons, and Spear-carriers. Only Dickens' words are used, so the reader can enjoy each character in the round. Also provided are a plot or subject summary of each work, an abbreviation key, and publication information. Volume I covers all of Dickens' works from 1833-49, Volume II covers 1850-70, and Volume III includes indexes, tabulations, and original essays. Everyone in Dickens has had the benefit of input from some of the world's most eminent Dickensian scholars, and every effort has been made to make it the state of the art within its parameters. The collection has been endorsed by the Dickens Project at the University of California and has been praised by many experts. America's distinguished Dickens biographer, Fred Kaplan, has written the foreword, and the Curator of the Dickens House in London, David Parker, has written the preface.
- Sales Rank: #6320448 in Books
- Published on: 1995-09-19
- Original language: English
- Number of items: 1
- Dimensions: 2.08" h x 6.60" w x 9.48" l, 3.09 pounds
- Binding: Hardcover
- 896 pages
Review
"Newlin is the 'onlie begetter' of this extraordinary guide to Dickens' teeming world....Volumes I and II of Everyone divid Dickens' works into two periods, Volume I 1833-1849 and Volume I 1850-1870. Within these periods the works are taken chronologically and each work entry follows a similar pattern....The list of Pickwick characters (excluding the 'spear-carriers') takes up four full pages. The equivalent list for Oliver Twist takes up one and a half pages. This kind of at-a-glance literary statistic is one of the great values of the reference work. It distills and organises the whole vast corpus of Dicken's writings so that one can run simple quantitative comparisons of this kind....one imagines the editor of these volumes found endless refreshment in the materials of his task....The readers of Everyone and Every Thing will surely relish just this combination of compendious referencing and delicious browsing that these volumes uniquely offer."-The Dickensian
"A truly comprehensive reference to everyone and everything in Dickens, arranged in the strictest practicable chronological order for amateur as well as professional Dickensians who want to find Dickens characters quickly, discover new ones, and have a trove of accessible data on the man and his creations."-Reference & Research Book News
"A new guide supplants every other work attempting to catalog Dickens' staggering literary legacy and is invaluable in developing an appreciation of his genius. It's actually four books compiled and edited by George Newlin. No amount of space will be sufficient to cover the number of features or to explain the complexities of this book. There's something new every time the books are opened. Suffice it to say you can delve as deeply into Dickens as you like and the books will still be your best source."-Big Reel
"Everyone in the title, already italicized in English convention, ought to be underlined and printed in bold, for this definitive compilation truly covers everyone in the complete Dickens corpus. Newlin's guide to Dickens's characters distinguished itself from efforts not only in its comprehensiveness, but also in its use of passages from the works themselves to describe the character....true Dickensians, whether scholars or fellow enthusiasts like Newlin, will always want to turn first to Everyone."-Rettig on Reference
"In this work...a sixty-four-year-old white-bearded pianist-singer-soldier-lawyer-banker-bibliophile named George Newlin lists thirteen thousand one hundred and forty-three names of characters, fictional and nonfictional, that appear somewhere in the vast Charles Dickens oeuvre...He undertook the task as a consequence of becoming obsessed with Dickens seven years ago...he set out, as an amateur scholar, to devote himself to a project that many Dickens academic scholars had dreamed of but had assumed to be unthinkably difficult."-Brendan Gill The New Yorker
?A truly comprehensive reference to everyone and everything in Dickens, arranged in the strictest practicable chronological order for amateur as well as professional Dickensians who want to find Dickens characters quickly, discover new ones, and have a trove of accessible data on the man and his creations.?-Reference & Research Book News
?A new guide supplants every other work attempting to catalog Dickens' staggering literary legacy and is invaluable in developing an appreciation of his genius. It's actually four books compiled and edited by George Newlin. No amount of space will be sufficient to cover the number of features or to explain the complexities of this book. There's something new every time the books are opened. Suffice it to say you can delve as deeply into Dickens as you like and the books will still be your best source.?-Big Reel
?Everyone in the title, already italicized in English convention, ought to be underlined and printed in bold, for this definitive compilation truly covers everyone in the complete Dickens corpus. Newlin's guide to Dickens's characters distinguished itself from efforts not only in its comprehensiveness, but also in its use of passages from the works themselves to describe the character....true Dickensians, whether scholars or fellow enthusiasts like Newlin, will always want to turn first to Everyone.?-Rettig on Reference
?In this work...a sixty-four-year-old white-bearded pianist-singer-soldier-lawyer-banker-bibliophile named George Newlin lists thirteen thousand one hundred and forty-three names of characters, fictional and nonfictional, that appear somewhere in the vast Charles Dickens oeuvre...He undertook the task as a consequence of becoming obsessed with Dickens seven years ago...he set out, as an amateur scholar, to devote himself to a project that many Dickens academic scholars had dreamed of but had assumed to be unthinkably difficult.?-Brendan Gill The New Yorker
?Scholars have compiled Dickens encyclopedias and indexes before, but nothing as grand and final in scope as this. Surely there is some tiny character in some tiny fictional fragment that Newlin has failed to include, list, cross-refer and expound upon? Well it would be a sad person who'd look for it...Reading [this book] is easy, because you start from the front of Volume One and turn pages slowly, chuckling for about a year and a half...[Newlin] is, in fact, a hero...Everyone in Dickens is an exciting, engaging and deeply impressive reference work which renews one's awe for the immensity of Dickens' creative imagination.?-Lynne Truss Times Education Supplement
?Newlin provides a gold mine of information about the 13,143 people mentioned by Dickens in [all] the works that constitute his literary output. This number includes both fictional characters and historical figures, including references to Shakespeare or to figures such as Oliver Cromwell... Extracting directly from the text, Newlin presents characters in Dickens's own words, describing not only the characters but their typical traits. All the favorite Dickens characters are here, often accompanied by the earliest illustrations (in most cases approved by Dickens himself)...The ultimate source for 'anyone' in Dickens, highly recommended for both scholarly research and Dickens lovers.?-Choice
?Newlin is the 'onlie begetter' of this extraordinary guide to Dickens' teeming world....Volumes I and II of Everyone divid Dickens' works into two periods, Volume I 1833-1849 and Volume I 1850-1870. Within these periods the works are taken chronologically and each work entry follows a similar pattern....The list of Pickwick characters (excluding the 'spear-carriers') takes up four full pages. The equivalent list for Oliver Twist takes up one and a half pages. This kind of at-a-glance literary statistic is one of the great values of the reference work. It distills and organises the whole vast corpus of Dicken's writings so that one can run simple quantitative comparisons of this kind....one imagines the editor of these volumes found endless refreshment in the materials of his task....The readers of Everyone and Every Thing will surely relish just this combination of compendious referencing and delicious browsing that these volumes uniquely offer.?-The Dickensian
"Scholars have compiled Dickens encyclopedias and indexes before, but nothing as grand and final in scope as this. Surely there is some tiny character in some tiny fictional fragment that Newlin has failed to include, list, cross-refer and expound upon? Well it would be a sad person who'd look for it...Reading [this book] is easy, because you start from the front of Volume One and turn pages slowly, chuckling for about a year and a half...[Newlin] is, in fact, a hero...Everyone in Dickens is an exciting, engaging and deeply impressive reference work which renews one's awe for the immensity of Dickens' creative imagination."-Lynne Truss Times Education Supplement
"Newlin provides a gold mine of information about the 13,143 people mentioned by Dickens in [all] the works that constitute his literary output. This number includes both fictional characters and historical figures, including references to Shakespeare or to figures such as Oliver Cromwell... Extracting directly from the text, Newlin presents characters in Dickens's own words, describing not only the characters but their typical traits. All the favorite Dickens characters are here, often accompanied by the earliest illustrations (in most cases approved by Dickens himself)...The ultimate source for 'anyone' in Dickens, highly recommended for both scholarly research and Dickens lovers."-Choice
.,."an amazing achievement and one that will be of huge benefit to all students of Dickens..."-Michael Slater University of London author of Dickens and Women co-editor of The Dickens Index
.,."It should become as valuable to Dickens scholars as are the concordances to the Bible and to Shakespeare to scholars in these fields."-Gordon Philo independent scholar and author of The Decoding of Edwin Drood
.,."With delicious hubris, George Newlin uses the word 'Everyone' in his title. My guess is that hubris, for once, will be unmet by nemesis. Everyone in Dickens, I feel sure, is destined to become an essential reference book."-David Parker Curator, The Dickens House, London
"Now, like an expert surveyor of Dickens' universe, George Newlin has for the first time organized and charted almost its every feature. Where there were black holes and missing stars, there is now light. Almost every conceivable item of fact bearing on his people is contained within Everyone in Dickens....Newlin has created a reference work that supplants every other work that has attempted to be a Dickens encyclopedia, dictionary, or guide..."-Fred Kaplan Distinguished Professor City University of New York author of Dickens: A Biography
About the Author
Until 1988, GEORGE NEWLIN spent his professional career combining activities in law and finance with volunteer service in the arts and serious avocational musical performance. At that time, he withdrew from most of his activities in venture capital and assets management and began developing his concept for a new kind of literary anthology, beginning with the works of Charles Dickens. He continues his pro bono services in the music field.
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